Published Translations
方言, “可能的友谊,” Yan Fang, “Possible Friendships.”
龙奕瑭, “鲸落——致敬黄永砅,” Long Yitang, “Whale Fall—A Tribute to Huang Yong Ping.”
杨宇青, “沈心怡（Sydney Shen）的物之剧场,” Edel Yuqing Yang, “Ghost Dance—on Sydney Shen’s Theater of Objects.”
贺潇, “郝量：秋思,” Fiona He, “Hao Liang: Autumn Thoughts.”
李素超, “蒲英玮：晦涩历险——思辨波普与泛中主义,” Li Suchao, “Pu Yingwei: Obscure Adventure—Speculative Pop & Pan-Chinesism”
李佳, “林从欣：猪仔叹和毒物赋,” Li Jia, “Candice Lin: Pigs and Poison.”
徐浪，杨宇振, “传统材料与乡村空间生产,” Xu Lang and Yang Yuzhen, “Traditional Material and the Production of Rural Space.”
陈乃华, “贡噶嘉措 — 西藏现代性的追寻” Chen Naihua, “Gonkar Gyatso — In Search of a Tibetan Modernity.”
瞿畅, “上新界——新界、劳丽丽和生活馆,” Qu Chang, “Up to the New Territories: Natalie Lo Lai Lai and Sandwoodgoon.”
皮力, “告别文化进化论的美术馆,” Pi Li, “Bidding Farewell to the Cultural Evolution of Art Museums.”
杨紫, “ON | OFF：你好 | 再见,” Yang Zi, “ON | OFF: Hello | Goodbye.”
皮力, “后奥运时代中国艺术的困境” Yishu Journal of Contemporary Chinese Art, 16:6, 2017 十一月十二月
皮力, “从绘画到影像:张培力与新潮美术运动” 张培力：记录。重复。芝加哥艺术学院博物馆, 2017.
Pi Li, “Perpetual Antagonism: Tracing Zhang Peili’s Practice,” in McBee, Wilson and Greg Nosan (eds.), Zhang Peili: Record. Repeat. Art Institute of Chicago, 2017.
皮力, “廣東快車：早期珠江三角洲藝術的一個剖面”与展览文本, M+ Pavillion, 2017.
汪民安, “包裹、分裂和嫁接：徐累的三种绘画空间” Xu Lei: Interact, Marlborough Gallery, 2017.
Wang Min-An, “Constrained, Divided, and Grafted: Xu Lei’s three painted spaces” in Xu Lei: Interact, Marlborough Gallery, 2017.
Liang, Theresa and Liu Bo (eds.), 喻紅: 憂雲 | Yu Hong: Wondering Clouds, Long March Space, Beijing, 2013.
“深潭：趙波訪談｜Abyss: An Interview with Zhao Bo”
“素手：朱咬訪談｜Plain Fingers: An Interview with Zhu Yao”
“蚊帳：胡曉媛訪談｜Bed Net: An Interview with Hu Xiaoyuan”
“迷夜：趙可訪談｜Lost in the Night: An Interview with Zhao Ke”
“抽屜：張新軍訪談｜Drawers: An Interview with Zhang Xinjun”
“記憶盒：張潛淺訪談｜Memory Box: An Interview with Zhang Qianqian”
朱金石 Zhu Jinshi, Pearl Lam Galleries, 2013.
“什麼是抽象繪畫: 朱金石與 Paul Moorhouse的對話 | What is Abstract Art: A dialogue between Paul Moorhouse and Zhu Jinshi”
“呼吸的繪畫:朱金石與菲利普·多德的通信 | “Paintings that Breathe: Zhu Jinshi in correspondence with Philip Dodd,”
Mulan River Project, Boers-Li Gallery, 2012.